Thu, September 19, 2013
Doors: 7:00 PM / Show: 8:00 PM
$15 ADV / $18 DOS
“It’s the hardest thing we’ve ever done as a band to make this record,” says guitarist/vocalist Kaleo Wassman of Pepper, in speaking on the recording process of their new self-titled album. “It speaks loudly and widely to a broader audience while maintaining everything good about the band, which, first of all, is our positive attitude.” After releasing five albums, Pepper has opened a new chapter in their storied career. Drummer Yesod Williams adds, “This record feels very cohesive in a way our past releases maybe didn’t. I think it’s an album that can appeal to everyone, as well. We’ve been pigeonholed in the past so this is an opportunity to transcend all that and spread our wings even wider.”
The trio, who formed in 1997 and moved to the mainland from their hometown of Kailua Kona, Hawaii in 1999, pressed pause after the release of their fifth album, Pink Crustaceans and Good Vibrations, in 2008. There was a sense of fatigue and disunity amongst the three musicians, who took some time off from music both apart and together before rejoining to create an EP, Stiches, in late 2010. The songs on that release re-energized the group, revealing an urgent desire to make a new album that reflected where they are in their lives and career now. After some tour dates in support of the EP, Pepper sat down and focused on their sixth album, a self-titled released that swings open the door on this new chapter.
The musicians went into the studio with Matt Wallace, a producer known for his work with Maroon 5, O.A.R. and Faith No More, in early 2012. Matt helped focus the group’s vision and expand their musical knowledge base, an experience the band members compare to being in their own version of college. The album was recorded in various studios over the course of a year, honing in on Pepper’s re-defined self-identity and how that focus was reflected in the songs.
“We learned so much,” Yesod says. “Matt help us really focus on the art of songwriting. He sat in the room with the three of us with a fine-tooth comb and went over every word, every melody, every sound. He showed us that it’s important what you do play as well as what you don’t play, creating both spaces in the songs. We learned how powerful simplicity can be. Plus, we had such a good time recording this album and I think that shows.”
The resulting album, self-titled to accentuate where the band feels they are presently, broadens Pepper’s style, veering into new sonic territory while still retaining all the fun elements that make the band so beloved by their fans. The ever-present sense of life surges through the tracks, bolstering the sense of optimism throughout. The party anthems, the beach hang melodies, and the boisterous rhythms are all there, each song carefully crafted to best express these sunny moments by the ocean.
“This album is basically 12 snapshots of where we are,” vocalist/bassist Bret Bollinger says. “There are songs that will remind you of your favorite Pepper songs, but by the end you’ll hear some unexpected things. You’ll realize that the songwriting is so much more refined. And there’s laughter in the background of the songs. That’s how good the vibe is on the record.”
Pepper has toured extensively with groups like 311, Slightly Stoopid, Flogging Molly and Sublime With Rome, and spent several summers on Warped Tour – and this live sensibility shows. You can almost feel the sand in your toes and the sun on your back as the album progresses, the musician’s amiable personalities palpable beneath the island rhythms and mellow tones. The band’s music – both live and on their releases – is really about enjoying life and being grateful for each experience, a sensibility that’s very familiar to the three musicians currently in their career. From their 1999 debut Give’n It to their 2006 standout album No Shame, which was recorded with 311’s Nick Hexum, No Doubt’s Tony Kanal and Butthole Surfers’ Paul Leary, Pepper has embodied not only a style of music but a lifestyle, one that’s most easily found on beaches across the world, but also one that’s relatable to anyone anywhere.
Released via their own label LAW Records, their universal appeal has led their music being placed in various movies and TV shows, including Forgetting Sarah Marshall and Good Luck Chuck, as well as several video game soundtracks. The band’s story to date has been a prolific one. But as Pepper turns the page into a fresh chapter with this new album, it’s clear that the band’s passion for music and life will continue on for years to come.
“We’re so blessed to be in this position,” Kaleo says. “We want to do the best we can with it. We had humble beginnings in our small town in Hawaii and we’re still that same humble band. We don’t take any of this lightly. Every day I wake up and think about how I have the best job in the world. The level of gratitude and happiness I have that we’re able to do this is incredible and I hope people can hear that when they listen to our new songs.”
Since his birth in Chicago, IL, Benjamin Laub (bka Grieves) enjoyed a diverse musical upbringing, exposed at an early age to the city’s local jazz and blues clubs by his father. After relocating to Fort Collins, CO and eventually Seattle at age 19, Grieves had broadened his array of musical influences to include punk rock and eventually became completely immersed in Hip Hop as an art form.
Following his debut album Irreversible in 2007, Grieves began collaborating with local Seattle-based producer Budo, a talented multi-instrumentalist that helped complete the organic-yet-intense sound of 15 melodic, sample-free tracks that became 88 Keys & Counting. Following rave reviews of the album’s mainly digital release, Grieves and Budo hit the road once again to set up shop in New York City, where they are currently at work on the follow-up to 88 Keys, due for a Fall release this year on Rhymesayers. Untethered to common restraints of the hip-hop genre, the combination of Grieves’ singing and rapping with the refreshing horn, guitar, and keyboard driven production by Budo presents Grieves strongest work to date.
RDGLDGRN (pronounced red gold green) have already distinguished themselves in the DC music scene. Their highly stylized sound (that Go Go drum beat- a distinct DC rhythm) takes hip-hop infused punk and indie rock to create something refreshingly unique, is getting attention from fans stretching far beyond the DC niche scene.
Comprised of three members who identify as Red, Gold, and Green, RDGLDGRN began making music in their basement studio, drawing from a vast and almost ironically diverse pool of influences like Chuck Brown, Vampire Weekend, Outkast, The Neptunes, and Bad Brains. What many might consider a wildly ambitious, even impossible task to pull off, RDGLDGRN managed to effortlessly combine genres of music to create something new, something all their own, and something that has the music industry buzzing with excitement.
The band gained widespread recognition when they self-released a song called “I Love Lamp” on YouTube- a way for friends and local fans to listen to their music. They had no idea that within just a few weeks, the video would have over 100,000 views and the attention of many notable figures both in the industry as well as on the blogosphere.
Producer Kevin Augunas (Edward Sharpe and the Magnetic Zeros, Cold War Kids) quickly took notice of the band, and in addition to producing RDGLDGRN’s debut, also signed them to his label, Fairfax Recordings (Gotye, Tribes) in a joint venture with Universal Republic Records.
Upon entering the legendary Sound City Studio in Van Nuys, CA, a studio where Fleetwood Mac recorded ‘Rumours’ and Nirvana recorded ‘Nevermind’, RDGLDGRN were fortunate enough to have captured the attention of Nirvana alum, Foo Fighters front man, and hometown hero, Dave Grohl who recorded drums on the entire album.
It wasn’t just rock royalty that took notice of RDGLDGRN, the hip-hop community was also taken by the band’s unique sound. Genre-bending artist, producer, and designer, Pharrell Williams (N.E.R.D., The Neptunes), co-wrote and co-produced the standout track “Doing the Most”, lending his distinct style to one of the most unique tracks on the album that showcases Green’s undeniable talent for rapping and singing infused with Pharrell’s style of unusual beats and musical wit.
The result is a debut that truly demonstrates the group’s ability to straddle genre lines, to combine musical polarities and unite both artists and fans over music that’s multifaceted. However, it’s not the musical intricacies, or the obscure combination of influences, that make RDGLDGRN who they are. It’s their ability to create something entirely fresh and new, something that’s often overlooked in this state of the industry where musicians try to stay afloat by following trends. If you ask RDGLDGRN who their biggest influences are, they’d tell you the Beatles and Bob Marley. And while RDGLDGRN don’t exactly sound like those legendary artists, they do share in common something less tangible- they all have made it a point to carve their own path by creating something entirely unique.
- Thursday, September 19, 2013 8:00 PM